ISSUE 230
SEPTEMBER 2025
SEPTEMBER 2025
Issue 230
q comment:
Publisher & Editor
Brett Hayhoe
+61 (0) 422 632 690
brett.hayhoe@qmagazine.com.au
Q Magazine writers
Brett Hayhoe (Editor), Gabriel Tabasco (Life
Editor)
Editorial contributors
Mike Nelson (q feature), Shane Gallagher (q tv)
Cover picture, artwork & design
Colt - with the compliments of
KinkMen.com
Artwork / Photographic
Contributions:
Fabian Di Corcia (q feature), Mark
Gambino (q arts), NH Architecture
(q arts)
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I do not want this to be a free advertisement for
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If you have never designed a website, this can be a rather
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q feature: COLT OF PERSONALITY
Colt Spence Takes the Crown as King of Kink
By Mike Nelson
Colt Spence has quickly risen
to become one of the most
popular and recognizable stars
on KinkMen.com, and it’s not
hard to see why. A genuine fan of
the platform long before he ever
stepped in front of the camera,
Spence brings an unmistakable
passion and authenticity to every
scene he films. His journey began
in 2022, when he left behind the
familiarity of Chicago for a bold
new adventure in Las Vegas, where
he filmed his first scene with the
legendary kink studio. Since then,
he’s appeared in over a dozen
high-intensity scenes, earning a
devoted fanbase drawn to his raw
enthusiasm, work ethic, and deep
respect for fetish performance. As
Spence himself puts it, “I’ve wanted
to be an adult film performer for
a very long time,” and that hunger,
combined with his eagerness to
learn and push boundaries, has
made him a standout figure in the
world of BDSM erotica.
What do you love most
about being part of the kink
community?
Colt Spence: I’ve always had a
particular fondness for people
who aren’t afraid to be themselves
unapologetically. I think it takes a
lot of nerve to be different in our
society and the kink community
is a great example of that. Once
I became a practicing member
myself, I was surprised by how
unaccepted it generally still is even
among queer people. Despite this,
you still see the kink community
representing themselves at pride
or even hosting their own events
which specifically showcase their wants and desires. I think having that kind of attitude for the
things we love is exactly what we all need, especially with everything going on in the world today.
Some people outside the community have misconceptions about BDSM and kink.
What would you say to those who don’t “get it”?
Colt Spence: I would explain to those people that although BDSM isn’t for everyone, there’s nothing
wrong with learning new ways to connect with one another. BDSM requires a massive amount
of trust in your partner and it’s a great way to connect on a deeper level. If you’re at all curious, I
highly recommend doing some research on your own, particularly from experienced and reputable
sources like KinkMen.com.
Do you have a favorite KinkMen scene?
Colt Spence: There are so many scenes that I’ve filmed with KinkMen that have a special place in
my heart for different reasons. If
I had to choose one, I would pick
“Payback” starring myself and
Heath Halo, directed by Christian
Wilde. The scene was filmed out
in beautiful North Carolina at a
recently-demoed nursing home.
I worked in Construction before
getting into adult film so it all felt
very familiar and understanding the
characters was easy for me. Not to
mention I got to work with Heath
who is such a beautiful man and
someone I’d been wanting to work
with for a long time. Everything just
fell into place so perfectly and the
final product is one of my highest
rated scenes yet.
Is there a particular scene or
partner that stands out as
especially intense?
Colt Spence: My scene with Derek
Kage. I can’t help but to smile every
time I watch or even just think about
it.
How do you maintain trust and
boundaries during a shoot?
Colt Spence: It is much easier to
create and maintain trust than it is
to find and rebuild it. It’s important
to connect with your partner ahead
of time and feel out their energy and
comfort level. As a Dom performer, I
know my scene partners are putting
a lot of trust in me to respect their
limits. I always make sure right from the start that they know I take this very seriously and that
I’m genuinely looking out for their wants and needs while we perform. Once that relationship is
established you can really have fun with each other and start to push some buttons.
What’s your preparation process like before filming?
Colt Spence: I exercise regularly, eat fairly clean and always get plenty of sleep leading up to the day.
The most challenging part is making sure my mind is prepared. I don’t think people outside of the
industry understand how much of a mental balancing act performing on camera can be. I’ve seen
so many performers get in their own way over the years by overthinking their every action. The trick
is to keep yourself calm, stay focused on the goal and just have fun with it.
Ultimately, we are all here to make the fans happy so they can experience the same pleasure we do.
Are there any kinks or dynamics you've discovered through filming that you now genuinely
enjoy off-camera?
Colt Spence: You know, I was shocked to find out how much I enjoy flogging! It’s not easy to do in
my personal life due to the amount of space it requires and the all noise it makes, so I never got into
it much before working with KinkMen. Now, after practicing and performing it in a majority of my
scenes, it’s safe to say I really enjoy it and even look forward to it every shoot. I’m definitely going to
keep following that path in the near future and see where it takes me.
What’s something fans would be surprised to learn about you outside of your on-
camera persona?
Colt Spence: I think the fans would be surprised to learn that I am a pretty huge gamer. I honestly
play about 1-4 hours every single day and lately I’ve been playing a lot of Fortnite, Overwatch and
World of Warcraft. Recently I’ve been thinking about streaming online while I play so I can share this
side of myself with fans, but I also have this bad habit of turning all of my hobbies into jobs so I may
just keep it for myself.
What advice would
you give to someone
considering working in
adult entertainment,
especially in the kink
space?
Colt Spence: As cliché as it
may sound, my best advice
to new performers is to show
up and have fun! You would
be surprised by how many
times performers come to
set in a bad mood or are just
completely stuck in their own
heads the entire day, plagued
by worry or nervousness. If
you arrive with great energy
and a positive attitude, you
are already miles ahead of
the pack. We really have such
a cool job and although it
can definitely be challenging
sometimes, you have to
enjoy the whole ride and
every turn it takes.
What’s next for you?
Colt Spence: I am currently
preparing to launch my new
website coltspencexx.com,
where fans will be able to
subscribe to my content
directly and watch all of
their favorite Colt Spence
classics. I also have a bunch
of new studio projects I can’t
wait to share with everyone,
including two great scenes
with KinkMen coming soon!
Visit KinkMen.com
‘CONNECT’ is Australia’s first federally funded program that dispenses free HIV self-
test kits from vending machines. The project aims to strengthen pathways to services,
treatment and support while addressing barriers to testing experienced by newly arrived
migrants, international students, and people from culturally and linguistically diverse
(CALD) backgrounds.
Led by SAMESH since March 2022, and now Thorne Harbour Health SA, the eight vending
machines around the Adelaide metropolitan area have been gaining traction with people
from all walks of life wanting to self-test for free. Accessing a HIV self-test kit is simple,
anonymous, completely safe and includes links to confirmatory testing and care. Just head
to one of the vending machine locations, scan the QR code, answer a few confidential
questions and provide a valid mobile number, then follow the instructions provided.
As the most successful project of its kind globally, CONNECT is proving that the distribution
of free HIV self-test kits via vending machines increases testing amongst priority
populations. This plays an important role in reaching the UNAIDS targets in Australia. The
Commonwealth Department of Health and Aged Care recently approved funding for a
national rollout over 2 years, so CONNECT will be available in every state and territory
nation-wide very soon.
SAMESH is a partnership between SHINE SA and Thorne Harbour Health that provides
community-based support, education and training about Sexual Health and HIV.
For more information including vending machine locations head to the CONNECT
webpage: https://samesh.org.au/connect-free-hiv-test-kits
q connect: CONNECTing FOR A CAUSE
q book: MEN CAN BE DICKS
MEN CAN
BE
DICKS
Written and Illustrated by Kichi
©2025 by JAKichi
Dedicated to all of us who love men …. and
to some men who love themselves a little
too much
“Nobility is being superior to your
former self”
― Winston Churchill
This book contains cartoon images
of penises and adult
language, so
Republicans, fake- Christians and prudes
ought to stop reading now.
This book is written for the love of men. It is meant to serve as a something of a mirror in which all
men will see a measure of themselves. And I hope its central parable will help men - and those who
love them, male and female – to better understand the dynamics of toxic masculinity. To paraphrase
Cassius and Shakespeare, “the fault lies in our stars and in ourselves.”
Men are beautiful creatures. As a group, as an idea, as a physical being, I love them.
I have been lucky enough to have known mostly good men, Gay and Straight. Men who are in control
of their emotions and their power. Men who are sensitive and appealing. Men who share more than
they take. My partner is such a man, and he is the best man I have ever known.
But many others who love men, both male and female, have not been quite as lucky as I have been.
It is impossible to avoid the truth that many men act out in ways that damage their wives and
partners, damage their own lives and the social fabric. Just read the headlines or the police blotter
in any newspaper.
Yes, women can also behave badly, but when a man misbehaves, it can be devastating to everyone
around him. That’s because men - muscular, powerful and aggressive - are still in charge mostly
everywhere. Men dominate government. They dominate business. Men dominate the bedroom
despite movements marching in the streets for female equality.
Scholars and researchers have attributed male aggression to the “Male Warrior Theory,”4, i.e., that
men are evolutionarily predisposed to hunt and kill for food, and presumably, to see a human he
doesn’t like as just another competing male to kill or a woman to conquer.
That argument must not be used as an alibi by men. Sex may have been destiny for men over the
millennia, but the male has a brain and needs to use it, too.
If the image of masculinity is to improve, men must be aware that a problem does exist. Men must
look in the mirror and recognize who they are. The purpose of this book to be one of those mirrors.
“MEN CAN BE DICKS”
q arts: ARTS CENTRE EXPANSION
Major milestone achieved for Arts Centre Melbourne expansion
Deep underground
work to upgrade
and expand Arts
Centre Melbourne’s
iconic Spire-topped
Theatres Building
has reached an
important milestone,
as part of the Victorian
Government’s city-
shaping Melbourne
Arts Precinct
Transformation.
Enough to fill six
Olympic swimming
pools, the excavation
behind the Theatres
Building is now
complete.
The excavation has seen the removal of 15,644m3 of earth and has reached the intended depth of
approximately 14 metres underground. The additional space created by the basement extension will
be used for:
- An expanded Loading Dock – twice the size of the current dock, with two new scenery truck
lifts, improving efficiency and safety when bumping-in performances, and allowing for more
performances to be staged
- A new, flexible Rehearsal Space and Studio (the same size as the State Theatre stage), with an
adjoining Function Room that gives a sneak peek inside the space
- A new accessible Stage Door
- The extension of the basement area increases the overall size of the Theatres Building by around
16 per cent
In addition to the basement extension, other essential works happening to the Theatres Building
include:
- Upgrades inside the State Theatre with improvements to accessibility, acoustics, theatre
technology and audience comfort
- Replacing some of the ageing anode wells in the Cathodic Protection System, located in the State
Theatre construction zone. Replacing these helps to safeguard the foundation of the building.
- New and improved places to drink and dine
The Theatres Building turns 41 this October, and the much-loved State Theatre is estimated to have
entertained and enthralled more than 20 million audience members during its first 40 years.
Arts Centre Melbourne CEO Karen Quinlan AM said the works would benefit every future production
staged in the Theatres Building.
“Crews will be able to bring sets, costumes and equipment into the building more safely and
efficiently, and performers will have a new rehearsal space right next to the State Theatre stage for
the first time. The refurbishment will bring the State Theatre to 21st century standards, while restoring
its heritage features for the next generation of artists and audiences,” said Quinlan.
Minister for Creative
Industries Colin Brooks today
met workers on the Theatres
Building construction site,
which increases Arts Centre
Melbourne’s capacity to
present ambitious world-
class performances by 16 per
cent.
“Melbourne’s State Theatre
holds a special place in
Victorian’s hearts. The
upgrades will allow this
40-year-old icon to serve
Victorians for many years
to come, in the heart of our
transformed arts precinct,”
said Brooks.
“This major infrastructure
project will further cement
our reputation as Australia’s
cultural capital, while offering
exciting career pathways and opportunities for Victorians – and a rare chance to shape the future of
a Melbourne icon.”
Civil Construction
Trainee Connie Tropea is
one of 100 apprentices,
trainees and cadets who
has worked across the
Arts Centre Melbourne
project to date, gaining
valuable experience to
kick start their careers
in trade. In total, the
wider Melbourne Arts
Precinct Transformation is
expected to create 11,000
jobs over the life of the
build.
“After more than 20 years
in hairdressing, I knew I wanted a change. It’s been one of the best decisions I’ve ever made. Every day
on site is a new challenge, and I love that I’m constantly learning and improving. I wouldn’t trade it for
anything,” said Tropea.
The works at Arts Centre Melbourne are part of the $1.7 billion Melbourne Arts Precinct Transformation
– a city-changing project that will cement Melbourne’s unique positioning as Australia’s cultural and
creative capital.
The Melbourne Arts Precinct Transformation is a Victorian Government project, delivered by
Melbourne Arts Precinct Corporation (MAP Co), Creative Victoria and Development Victoria, in
partnership with National Gallery of Victoria and Arts Centre Melbourne.
For more information visit www.artscentremelbourne.com.au
q film: ST ALI ITALIAN FESTIVAL
FIRST HIGHLIGHTS OF THE 2025 ST. ALI ITALIAN FILM FESTIVAL ANNOUNCED WITH
NEW HIT COMEDY FROM PAOLO GENOVESE TO OPEN THE FESTIVAL
The largest celebration of Italian culture and film
outside Italy, the ST. ALi Italian Film Festival, returns
to cinema screens this September – October with an
unmissable selection of the best new Italian cinema.
Presented by Palace, the 2025 edition of the festival
will screen in Sydney, Melbourne, Ballarat, Brisbane,
Perth, Adelaide, Canberra, Byron Bay and Ballina,
commencing on September 17 in Adelaide and
Canberra with other cities to follow.
The full 2025 line up will be revealed in late August with
these first highlights offering a tantalising taste of what
to expect in this year’s program, which will showcase the
filmmaking and acting talents of Italy’s finest.
Opening the festival is Paolo Genovese’s record-breaking
hit SOMEBODY TO LOVE (FolleMente), a romantic
comedy with an all-star cast including Edoardo Leo, Pilar
Fogliati and Vittoria Puccini. Following the global success of Perfect Strangers (IFF 16), writer/director
Genovese’s latest film reveals the innermost thoughts and uncertainties of a modern Italian couple
on their awkward first date.
From acclaimed filmmaker Ferzan Özpetek comes the stunning, female led drama DIAMONDS
(Diamanti). An ode to the beautiful craftsmanship of film costume designers and seamstresses, Luisa
Ranieri and Jasmine Trinca star as sisters running a couture costume design house in 1970s Rome,
exploring the lives and relationships of the women working within it.
The festival Special Presentation is the winner of the Grand Jury Prize at the 2024 Venice Film Festival,
THE MOUNTAIN BRIDE – VERMIGLIO (Vermiglio). An atmospheric, visually breathtaking portrait of
a family caught between tradition and modernity in the final year of WWII, writer/director Maura
Delpero drew upon her own family’s past and collective memory to create this rich, intimate drama
that follows a series of consequential events.
A box office sensation in Italy, moving drama THE BOY WITH PINK TROUSERS (Il ragazzo dai pantaloni
rosa) features rising star Samuele Carrino in a powerful performance. Exploring the real story behind
Italy’s first publicised case of online bullying, the film garnered much attention in Italy and sparked
important discussions about the issue.
Starring popular comic duo Ficarra & Picone and festival favourite Toni Servillo, THE ILLUSION
(L'Abbaglio) is a fun re-imagining of Giuseppe Garibaldi’s 1860 campaign that unified Italy. Directed
and co-written by Roberto Andò (Strangeness IFF23) this entertaining tale blends comedy and drama
to illuminate a piece of history, exploring the paradoxes of Sicilian identity.
The adventures of the Rovelli family continue in WHEN MUM IS AWAY...WITH THE IN-LAWS (10 Giorni
con I suoi). This time the family head to Puglia in the hit comedy directed by Alessandro Genovesi and
starring Fabio De Luigi and Valentina Lodovini.
The full programme will be announced and tickets go on sale late August. Register for updates via the
festival website to be the first to know when tickets are released.
The 2025 ST. ALi Italian Film Festival presented by Palace screens in the following locations:
Canberra 17 September – 15 October, Palace Electric Cinema
Adelaide 17 September – 14 October, Palace Nova Eastend Cinemas, Palace Nova Prospect Cinemas
Sydney 18 September – 15 October, Palace Moore Park, Palace Norton St, Palace Central, Chauvel
Cinema
Melbourne 19 September – 16 October, The Astor Theatre, Palace Balwyn, Palace Brighton Bay,
Palace Cinema Como, Palace Penny Lane, Palace Westgarth, The Kino, Pentridge Cinema, Cinema
Nova
Ballarat 20 September – 16 October, Palace Regent Cinemas
Brisbane 24 September – 22 October, Palace Barracks, Palace James Street
Byron Bay and Ballina 25 September – 15 October, Palace Byron Bay, Ballina Fair Cinemas
Perth 25 September – 22 October, Palace Raine Square, Luna Leederville, Luna on SX, Windsor
Cinema
For information and updates, please visit italianfilmfestival.com.au and sign up or follow us
on Facebook @ItalianFF and Instagram @ItalianFilmFest for all the latest news.
q tv: BEAR WORLD TV
The Host with the Most
Hunter Harden Hosts Hunter’s Hot Nights on Bear World TV
By Shane Gallagher
Bear World TV is the place to go for
weekly doses of news, entertainment,
and culture created specifically for
and by the bear community.
The channel spotlights five dynamic
hosts—Marquis the Honey Bear, Joe
Martone, Alexander Rodriguez, Ravi
Roth, and Hunter Harden—each
presenting weekly two-minute segments
that explore the many diverse, fun,
and entertaining aspects of bear life,
including nightlife, travel, pop culture,
humor, and community events.
Each segment brings its own unique
perspective; delivering a rich mix of flair,
humor, and authenticity, from globe-
trotting travel adventures to curated
party picks and playful nods to niche
bear culture.
Hunter Harden, international gogobear and nightlife expert, brings the party to the screen in his
nightlife-focused segment, Hunter’s Hot Nights, sponsored by Gun Oil Personal Lubricant. “It’s all
about vibe,” Harden explains. “A party with hugs, a great DJ, body positivity, and a little glitter? That’s
what I call a hot night.”
He tells us more…
Is Bear World TV only for bears?
Hunter Harden: Bear World TV is bear focused but it’s for everyone in the LGBTQ community. We
quick dive on multiple aspects of queer and bear culture.
Quick is the operative word!
HH: Everything today has to be two sentences or less in order to get people interested online.
Getting quick news is daily life so why shouldn’t our “Bear” news be the same?
How would you describe the overall vibe of the channel?
HH: Fun, supportive, and personal.
The channel is launching during Bear World Magazine’s 13th anniversary. How does it feel
to be part of this next evolution in bear media?
HH: This is very exciting for me. I’ve been modeling and doing Instagram posts for so long. Of
course, they’re just pictures. Making short videos will allow me to show more of my personality and
my own experiences touring the world attending Bear events and parties.
Did you know your co-hosts before Bear World TV?
HH: I’ve known some from being at parties. Joe and I have hung out. I was on Alexander’s podcast a
few years ago. Marquis and I were at a group photoshoot the day before we started shooting for Bear
World TV. We are all very supportive of each other and now we share this channel, our new baby cub,
and we all want it to grow!
Of all of the hosts, who is the biggest bear diva?
HH: Yikes, that’s a hard one. After our group photoshoot, I’d have to say: all of us! We all needed
attention and we all got it in our own bratty way.
Besides your own, which segment do you most love on Bear World TV?
HH: I love them all, but Ravi’s videos in particular, because I love his humor and style.
His segment takes viewers around the world. Where is your favorite place to vacation?
HH: I was recently in Sitges, Spain. The bear community is amazing there and the town is too
beautiful for words. It’s like a bear oasis.
Is Marquis the Honey Bear as funny in-person?
HH: He is! Humor is so important. It helps to loosen our shoulders and knock down the walls that
we all tend to build up in our lives. It does a lot of good to laugh at ourselves and not be so serious!
Joe Martone’s “What to Know with Joe” highlights the movers, shakers, and unsung
legends of the bear world. Who is someone you think he should feature?
HH: I would like
him to interview
Domita DeBaun
Sanchez. She is a
bear chasing drag
performer!
As the party boy
on Bear World
TV, what’s on
your radar?
HH: The weekend
event, Texas Bear
Round Up (TBRU),
is always an option
for those looking
for an easy and
safe weekend. As
for a one-night
party, I’m paying
attention to
OUTLAW by Dusti Cunningham in Los Angeles. It’s a great crowd with fun country music and the
hottest cowboys!
What’s the trend in nightlife?
HH: I am noticing a lot more genres of music being played at clubs that are not your typical circuit
or top 50 playlist songs. I think it’s great because it’s bringing out different groups of people in our
community and creating fun new atmospheres.
Any chance we’ll see a group episode with all of the Bear World TV hosts together in one
episode?
HH: I’d love that! Possibly at a large party weekend where we can all deep dive into different elements
of the event.
What do you hope viewers take away from Bear World TV?
HH: I hope that they see that the bear community accepts all shapes and colors with big bear hugs.
And while we’re bear focused, I think the channel will provide insight for all people in our LGBTQ+
community and allow them to share in our experiences.
Tune in to Bear World TV at bearworldmag.com and follow @bearworldmag on all platforms.
q world: ELSKA TURNS TEN
ELSKA CELEBRATES TEN YEARS OF SHARING PHOTOGRAPHY AND STORIES DEDICATED
TO QUEER MEN AROUND THE WORLD
Elska is celebrating its ten year
anniversary. During this time, the
project has published over fifty
issues, spotlighting local men from
LGBTQ+ communities around
the world. To commemorate this
milestone, a print publication
titled ‘Ten Years of Elska: Special
Retrospective’ has been released.
Inside, a collection of Elska's favourite
stories and portraits has been
selected.
The compendium reflects Elska’s
celebration of honesty and diversity.
Instead of models or celebrities, the
men featured are beautifully ordinary
and appealingly imperfect. And instead
of highly edited and polished writing,
the texts are real, raw and sometimes
random. Alongside tales of coming out
in a Mormon town or falling in love on a road trip
through Ukraine are a frank account of gender
transition, a diatribe against homophobic society
in Northern Ireland and even a lusty poem about
foreskins!
“When I originally started Elska, my goal was simply
to combine my love of travel, photography and
men” says Elska editor and chief photographer Liam
Campbell. “For the first issue, I flew to Lviv, Ukraine
and hoped to meet three or four local guys who I
would photograph in the city and then publish some
sort of little staple-bound zine. But everything just
sort of exploded. I actually met twelve guys there and
I ended up doing at-home nude portraits as well as
vaguely editorial-style street shoots. Because of all
this extra content, I had to expand my project into
something more like a book. And then I had the idea
to include stories, both my own chronicles about my
journeys as well as stories contributed by the men I
met, which made the publication grow even larger.”
“I am immensely grateful that Elska resonated so
well, which has enabled me to keep going for all
these years,” continues Liam. “I am also proud that
I’ve been able to do my work in my own way,
publishing real rather than sensational stories and
presenting images of regular people rather than
those who fit within the confines of conventional
beauty standards. I’ve always found ordinary
people more compelling, and I’m glad, as well
as a little surprised, that so many others share
my perspective. Because of them, I’ve been able
to take my project to over fifty cities around the
world so far.”
Elska's roster includes books made in well-known
and lesser-known places, as well as in gay-friendly
and not so gay-friendly societies. Cities on every
continent of the world except Antarctica have
been featured, including: Odesa (Ukraine), Buenos
Aires (Argentina), Chisinau (Moldova), Taipei
(Taiwan), Tbilisi (Georgia), San Francisco (California),
Almaty (Kazakhstan), Cape Town (South Africa),
Melbourne (Australia) and Dhaka (Bangladesh).
When combined, a total of 827 different men have
taken part in for Elska, and many more are on the
way.
Elska print books, including the new ‘Ten Years
of Elska: Special Retrospective’ are sold in select
shops around the world and for order online. Also
available are e-books, art prints, postcard sets and
annual subscriptions, which include six books per
year.
More information can be found on the Elska website, www.elskamagazine.com
q life: with GABRIEL TABASCO
Gabriel Tabasco: The Greek Ambassador’s Son
Chapter 17: Riding Red Hood - Part Two
With my hole freshly waxed, make up on and my hair in a bouffant, (thanks to Sandy,
the make up artist) I was ready for the photoshoot. The images would be used for the
promotional material of the film and social media.
‘It’s important to get the photos of you before the shoot, before you’ve been fucked and well used,’
joked Scott, chuckling to himself. ‘We don’t want to show a destroyed hole now in our promotional
material, do we?’
‘We do if we want a before and after,’ added the camera man, and they both laughed.
‘Actually, that’s not a bad idea. The Wolf has a big dick, so let’s see what Gabriel’s hole would look like
before and after his pounding,’ said Scott. ‘Make sure you get some close ups of his hole before and
after the shoot,’ Scott ordered Mark, the photographer. Mark nodded in agreement.
‘First get into the poses yourself and then we can bring in the Wolf and you can pose together. Of
course we will also take photos of you both fucking as well during the shoot, but first let’s go for the
solo shots,’ explained Scott.
I was led to an area of the garden where the majority of the filming would be. The first scene for
shooting was a paved path leading to the three. The second scene was a lush, tropical area, (as if a
wolf would be found in the tropics). And the third was a lush area by a pool, where I was expected
to get pounded by and in the pool. All three areas needed to have photos taken before we were to
begin filming.
‘Put these on honey,’ said Sandy, the make-up artist bringing me my costume. I undressed and I put
on the red jock straps that showed off my freshly waxed bottom, the red trainers and the red cape. I
was also given a basket of apples to hold.
‘And don’t forget to drop them dramatically when you see the wolf,’ said Scott as he handed them to
me. ‘Ok but first photos!’
Mark the photographer was ready and instructed me to pose by the path.
‘First with your back and ass to me, so we can see it below the cape, then walking down the path and
then with your erection,’ Mark explained.
With only my red trainers on, and a cape covered my back, and my back towards the camera and
exposing my ass, I turned and posed.
‘And again. And tilt your head a little. Lift your ass a bit…’ said Mark, and so on. ‘Now stand towards me
and show me your erection,’ he asked. ‘Oh. I see you’re not hard yet. Can you help yourself or do you
need a fluffer or…’
‘I can help if you want,’ said Sandy, the make-up lady.
‘Help how?’ Mark said, confused. ‘I mean he’s a gay bottom guy and you’re a lady so how…’
‘I love the gays,’ said Sandy.
It all happened so quickly I wasn’t sure what was happening. But Sandy, the robust 50-year old,
peroxide blonde, with long red nails came bounding up to me, patted me on the bottom, and took
my soft penis in her hands.
‘Cute, isn’t it?’ she said as she rubbed it. ‘Look. It’s growing.’ It seemed like within moments I had an
erection. ‘Love it,’ she said. ‘How big is it?’‘
‘Online it says seven inches. But it might be seven internet inches,’ said the camera man.
‘It’s five inches,’ said his assistant.
‘Perfect for a little bit then, eh? Won’t be too much trouble.’
And as I stood there, posing for the photoshoot, Sandy, who had my boner in her hand, popped my
dick into her mouth and proceeded to suck me.
‘Never did I think I would see the bottom guy of the porn shoot get sucked off by the make up lady
on set. Now I’ve seen everything,’ said Scott the director. Some people chuckled.
‘Want me to shoot this boss?’ asked the camera man.
‘Oh for sure. We can put it in the outtakes,’ he added.
By then Sandy had placed her hands on my smooth, waxed ass. Occasionally she stretched it open
so my hole could be revealed and I got a feeling of the cool air between my cheeks. A couple of times
her fingers made their way towards my hole. I half wanted her to finger me.
‘What’cha doing there Sandy. It looks like you’re going to stick your finger in his ass,’ said Mark the
photographer.
‘I can;t finger him. I just had my nails done,’ she said, taking my dick out of her mouth momentarily.
Everyone laughed at that.
‘How is it Sandy?’ asked Scott.
‘Not too bad. Almost reaches my throat’ she said, literally with my dick in her mouth.
‘Seems like he is enjoying it,’ said one of the crew. ‘You can see it on his face. And his balls are also
tightening.’
‘He is having fun, that’s for sure,’ said Scott. ‘But Sandy, but don’t make him come. We need it for the
end of the shoot…’
But it was too late.
Sandy popped her head up to say something, but then noticed the spasm in my cock and my
shudder and put her mouth over my dick as I came strongly in her mouth. I stood stunned and
shaking as the come rushed out of my dick and with Sandy holding my ass tight. She then did the
unspeakable to fingered me a moment. She knew I liked it and winked for me. A private moment in
a very public setting.
‘Awww… man… no,’ said Scott. ‘You made him come?’
‘Sure did,’ said Sandy proudly. ‘Now that was fun,’ said Sandy, getting off her knees. She gave me a hug,
tugged once more on my dick and then kissed me on my mouth. ‘Come on over sometime and I’ll
make you dinner,’ she said sweetly.
‘You were meant to fluff him. Not suck him dry. And we did not even start shooting with the Wolf,’
said Scott.
‘Won’t be a problem,’ said a voice at the back of the garden. It was the Wolf. ‘I’ll pound him good, he'll
come at least twice.’
Well, look at that
You got sucked dry by a milf
Doesn’t matter if you’re a film brat
You’ll soon get fucked by a dilf
q book: with MARY LOUISE III
q community: OPEN PRIDE DOORS